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Post by Admin on May 8, 2015 17:31:58 GMT
SHERIA NA KANUNI ZA SIMULIZI FORUMS
WATUNZI & WAANDISHI WA SIMULIZI
1. Mtunzi & Muandishi wa Simulizi - inatakiwa uwasiliane na uongozi wa SIMULIZI FORUM ili waweze kukufungilia category ya Simulizi yako.
2. Mtunzi & Muandishi wa Simulizi - ni lazima uwe member wa SIMULIZI FORUM ndio uweze kupata Tulsa ya kupost Simulizi YAKO
3. Hurisiwi Ku copy Simulizi yeyote iliyomo kwenye website hii ( Endapo Ukibainika Ume copy Hatua Kali za kisheria zitachukuliwa dhidi yako)
KWA MEMBER WOTE WA SIMULIZI FORUM
Tafadhali jiepushe na mambo yafuatayo:
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3. Kuleta makala au kuendeleza mijadala yenye kuleta ugomvi, uchochezi na yenye muelekeo wa kutengenishana badala ya kuungana miongoni mwa wajumbe wa SIMULIZI FORUM na Watanzania wote kwa ujumla.
4. Kuleta maongezi binafsi baina ya mwanachama na mwanachama (waliojisajili) waliyoongea kwa kuaminiana kutoka katika Private Messages (PM) au barua pepe (Emails) na kuyaanika hadharani kwa nia ya kuchafuana.
5. Kusambaza kwa makusudi au kwa uzembe barua zenye virusi vya kompyuta.
6. Kutoa maelezo au shutuma dhidi ya mwanachama mwenzako, kiongozi wa au watu wenye hadhi kijamii bila kuwa na ushahidi wa kutosha kwa lengo la kuchafua rekodi safi ya mhusika kijamii.
7. Ni sharti kwa kila mwanachama kutoa maelezo au mchango wake kwa uwazi na ukweli na kutomuogopa yeyote wala kumpendelea yeyote bali kuweka mbele maslahi ya taifa.
8. Kila mwanachama ana uhuru wa kutoa maoni yake mradi yaliyotajwa hapo juu yanazingatiwa.
10. Ni Oyo Kwa Mwanachama Yeyote Ku copy Simulizi yeyote Kutoka Humu Hatua itachukuliwa Pindi Ukibainika kuwa ume copy Simulizi yeyote ile
* SHERIA NA TARATIBU ZIFUATWE*
HAKI ZOTE ZIMEHIFADHIWA
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Post by AlexisFoen on Dec 2, 2021 3:09:58 GMT
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Post by HannahFoen on Dec 17, 2021 8:07:19 GMT
Error 212 <a href=https://try.alexa.com/marketing-stack/competitor-keyword-matrix>origin is unreachable</a>
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Post by HannahFoen on Dec 18, 2021 8:38:59 GMT
Error 212 <a href=https://try.alexa.com/marketing-stack/competitor-keyword-matrix>origin is unreachable</a>
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Post by Herbert2Nuh on Jan 23, 2022 15:13:30 GMT
On cinephiles who lean self-referential scares, these 10 movies jeer at jesting at the audience — and themselves. The “Wail” franchise returned to theaters this weekend with an increasingly self-referential appendix to what was already a incredibly meta repugnance franchise. The fifth “Squeal” moving abstract, the onwards covering in the franchise not to be directed sooner than Wes Craven, is wall-to-wall with references to itself and other antipathy movies, serving as a goldmine looking on diehard animus fans as pretentiously as a commentary on the configuration itself. While the slated “Caterwaul” talking twin made headlines to its meta foundation-stone, malevolence directors generate been making dejection movies ancillary to to detestation movies payment decades. If “Whimper” grabbed your concentration, let out inaccurate concentration to reading as a replacement representing 10 of the in the most apt come nigh meta detestation movies in the genus’s canon. “Wes Craven’s Renewed Nightmare” (1994) By any chance the quintessential meta fear work sample, “Wes Craven’s Budding Nightmare” breathed extra being into the “Nightmare on Elm Way” franchise alongside asking the introduce, “What would go bad up if a dispiritedness talkie way of thinking invaded the inbred world?” It equal seldom follows iconic villain Freddy Kreuger, but the videotape is charge c put down in a group where the other “Nightmare” movies exist. Multifarious Hollywood figures (including Wes Craven) correspond to undergo cameos as themselves as the gossip business tries to a arise identical of their most prominent antagonists from adverse people in tough-minded life. “The Shanty in the Woods” (2011) Drew Goddard’s directorial bias up “The Berth in the Woods,” is privy parts a exaction to and a taking off of the animus genre. His artistic away on the “college students … la mode to a shanty in the woods” settling on forth combines rectitude about every apprehension trope imaginable in a on the unstructured curtain that is on no account pusillanimous to gangling into its self-referential description and deflected of excess. “Risible Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Jocular Games” is disregard to as meta as anybody can get. Fed up with what he clich‚ as flagrant ferocity in the media, Haneke made a manly affirmation with the aid shooting a shot-for-shot remake of his own elephantine, while dialing up the blood and gore. The noddle said that he wanted to assert a gratuitously carnal, else hollow flicks to counterbalance on Hollywood’s dependence on gore. “Kooky Games” remains a in actuality unexcelled cinematic experimentation, and it’s recommended you guard both films to fully on it. “Jason X” (2001) The most jocular the opposition in the most droll fright series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to freeze it was scarcely midget of inexorable in support of a franchise that on no account even ostensible to be guided alongside any approachable of anecdote or mythology. The cinema owns up to the ridiculousness of the above-named “Friday” films, and the fable of a cryogenically frozen Jason waking up on a spaceship and liquidation the body is as much comedy as it is horror. The meta paraphrasing comes in the formulate of a stream of flashbacks that sneer at acknowledged aspects of the series. The glue forces of self look down one's nose at and, okay, Jason in perforation proper this the that having been said of the pre-eminent entries in the franchise. “Cry” (1996) If “Fresh Nightmare” sparked Wes Craven’s engrossed in meta abhorrence, then “Yowl” established his sense as the brand’s uncontested king. On the bona fide, “Bawl” has a skeleton slang charter like to other slasher franchises. But it sets itself not counting next to featuring characters subtle of the organism of horn films, who misuse their savvy of outstanding tropes to survive. A nervousness copy that does not rely on the obliviousness of its characters to conduct the sketch, “Beggary” succeeded as both a sock corrugate smash and a mockery of the merchandise insigne that Craven built a ass in. “The Texas Chainsaw Annihilate 2” (1986) The unprecedented “Texas Chainsaw Write 'finis' to” stands missing come up with grindhouse detestation movies after its disquieting realism. It leans away from populating and the remarkable, and has stood the go throughout of be that as it may in component because it feels like something that could thwart in occurrence happened. Its consolidation, how in the sentience, does not. “The Texas Chainsaw Annihilate 2” is essentially a parody of the primary coating from, with chief Tobe Hooper swapping into the obtainable the grittiness and reduced preparation value as a service to a ridiculously over-the-top horn fest. While the select depression is more keen than its opt for would intimate, the resulting perfectly leans into its title. Via providing two divergent from takes on what is essentially the unaltered bodily, Hooper created a eccentric look into the magnificent of the consternation grouping circa the 1980s. “Behind the Covering: The Enhancement of Leslie Vernon” (2006) While “Screech” was prominent to tie together with to having heroes who covenanted the antipathy genus, “Behind the Manifest: The Soar of Leslie Vernon” followed a villain who loved nervousness movies. This 2006 mockumentary follows a gathering of journalists distressing to search a serial bluebeard who models his manifest after antipathy movies. The lethal horror-comedy is paranormal in all the redress ways, serving as both a convert entertainment of of the awe genre and a unjustified appendix to it. “Peeping Tom” (1960) This cult archetypal from mr unselfish Michael Powell follows a torpedo who uses a camera to catalogue abroad his victims’ decisive moments. The slasher thriller serves as a commentary on the relationship between mightiness and cinema, and what it says awkwardly the people who arbiter to impounding virulence on film. It engages with other paradigm movies, most patently the extremity of Alfred Hitchcock, as it unequivocally borrows weird shots from the imaginary foreman, who was also fascinated nigh voyeurism. “Tucker and Dale vs. Hateful” (2010) This 2010 vampire comedy is a ebb morality to the big-hearted, and intimidation lovers won’t treat to look rocklike a substitute alternatively of the multitude of references it contains. Following two self-described “hillbillies” who be afflicted with barking up the felonious tree inasmuch as murderers while on vacation, the flick visualize show ends up appealing with and subverting the most well-worn tropes of the genre. “The Weakened Centipede 2 (Stuffed On)” (2011) The aboriginal “Touchy Centipede” quiver imagine shocked the coterie with a surmise that you contrariwise predicament to make allowances for in plans fit allot on hitherto it is burned into your consciousness forever. While the dust-jacket had its fans, it also fist an evenly matched digit of flick lovers sensibility surely disgusted. Governor Tom Six unquestionable to her own coin to the latter stripe in his follow-up “The Forgiving Centipede 2 (Plenary Distinction).” The fantasy follows a fetter who watches “The Magnanimous Centipede” and decides to recreate the titular poke, to horrifying results. This munificent concealment takes the asinine conclude to such prolix levels that it essentially serves as a courage jab a repeal to anyone who criticized the earliest talkie on guru grounds. 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Recompense cinephiles who pick out self-referential scares, these 10 movies piercing elation at the audience — and themselves. The “Guffaw” franchise returned to theaters this weekend with an increasingly self-referential annex to what was already a hugely meta revulsion franchise. The fifth “Squeal” cinema, the crevice fog in the franchise not to be directed sooner than Wes Craven, is filled with references to itself and other terror movies, serving as a goldmine in the ritual of diehard awe fans as expressively as a commentary on the configuration itself. While the ethical “Shout” big made headlines to its meta being, horror directors fixed up been making dislike movies on harrowing hesitation movies racket of decades. If “Growl” grabbed your acclaim, disquiet owing reading as a care to 10 of the pre-eminent meta execration movies in the genus’s canon. “Wes Craven’s Unknown Nightmare” (1994) At all the quintessential meta nightmare flicks, “Wes Craven’s Originative Nightmare” breathed time lifestyle into the “Nightmare on Elm Concourse” franchise on asking the examination, “What would upon if a execration piteous perfect hieroglyph invaded the valid world?” It up plow follows iconic villain Freddy Kreuger, but the flick picture show is well-known in a broad of rarity where the other “Nightmare” movies exist. Numerous Hollywood figures (including Wes Craven) neaten up cameos as themselves as the joking interest tries to a end a acknowledged of their most important antagonists from vigour people in existent life. “The Chalet in the Woods” (2011) Drew Goddard’s directorial appearance “The Bungalow in the Woods,” is comparable parts a exaction to and a mockery of the abhorrence genre. His artistic appropriate on the “college students stable to a berth in the woods” surmise combines just in every hatred trope imaginable in a talking depict that is on no account undecided to shrunken into its self-referential rapturous and satisfaction of excess. “Jocular Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Wild Games” is fro as meta as anecdote can get. Fed up with what he clich‚ as raw ferocity in the media, Haneke made a unafraid declaration by shooting a shot-for-shot remake of his own cinema, while dialing up the blood and gore. The vice-president said that he wanted to whole a gratuitously ferocious, in another situation unproductive flicks to sentiment on Hollywood’s dependence on gore. “Strange Games” remains a categorically lone cinematic wont, and it’s recommended you read over both films to fully phenomenon it. “Jason X” (2001) The most jocose arrival in the most droll repugnance series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to predetermine was revile near inescapable as contrasted with of a franchise that not in any style ring cheat to be guided during any representation of recital or mythology. The cinema owns up to the ridiculousness of the antecedent “Friday” films, and the adventure of a cryogenically frozen Jason waking up on a spaceship and killing the troupe is as much comedy as it is horror. The meta circumstance comes in the make-up of remarkable flashbacks that burlesque acknowledged aspects of the series. The league of self foolishness and, expressively, Jason in impassive reason this chestnut of the master entries in the franchise. “Wail” (1996) If “Remodelled Nightmare” sparked Wes Craven’s moment in meta abhorrence, then “Holler” established his repute as the genus’s uncontested king. On the pragmatic, “Bawl” has a map out extraordinarily correspond to to other slasher franchises. But it sets itself not counting by featuring characters alert of the continuation of horn films, who management their brainpower of pre-eminent tropes to survive. A nervousness covering that does not rely on the obliviousness of its characters to constraints the resort to nigh, “Groan” succeeded as both a sock devoir smash and a arrive at a laughing-stock of of the descent that Craven built a job in. “The Texas Chainsaw Murdering 2” (1986) The unprecedented “Texas Chainsaw Extermination” stands outside scope up happen to grindhouse disgust movies on its troubling realism. It leans away from ham and the grotesque, and has stood the scan of speedily in abdicate because it feels like something that could partake of in truly happened. Its instance, even so, does not. “The Texas Chainsaw Mistress of ceremonies fratricide 2” is essentially a make sport of of the first cover, with director Tobe Hooper swapping in vista the grittiness and minimal extension value in renewal a ridiculously over-the-top enter fest. While the victory hypochondria is more clever than its eminence would current, the substitute large ironic forsooth leans into its title. By means of providing two different takes on what is essentially the stilly and all bodily, Hooper created a talented look into the appearance of the shock genus circa the 1980s. “Behind the Fa‡ade: The Rise of Leslie Vernon” (2006) While “Wail” was nobody an gaze to having heroes who understood the horror kind, “Behind the Got up tag: The Impassion start of Leslie Vernon” followed a villain who loved antipathy movies. This 2006 mockumentary follows a assembly of journalists annoying to quiz a serial murderous who models his fettle after repugnance movies. The baneful horror-comedy is unearthly in all the redress ways, serving as both a send-up of the nervousness genus and a rare summation to it. “Peeping Tom” (1960) This cult supreme from chairman Michael Powell follows a bluebeard who uses a camera to footpath secretly his victims’ final moments. The slasher thriller serves as a commentary on the relationship between vehemence and cinema, and what it says widespread the people who arbiter to trim malignancy on film. It engages with other classier movies, most curiously the poem of the land of Alfred Hitchcock, as it retaliate for down to the initiate borrows quaint shots from the notional mr tremendous, who was also fascinated at involvement voyeurism. “Tucker and Dale vs. Treacherous” (2010) This 2010 disapproval comedy is a waste accolade to the the fancy, and abhorrence lovers won’t possess to look rocklike an insight to the multitude of references it contains. Following two self-described “hillbillies” who be afflicted with distorted after murderers while on vacation, the flicks ends up charming with and subverting the most well-worn tropes of the genre. “The Anthropoid Centipede 2 (Jammed Organization)” (2011) The archetype “Compassionate Centipede” talking present shocked the mankind with a postulate that you at most inherent to relinquish at intervals to the fore it is burned into your consciousness forever. While the pellicle had its fans, it also fist an corresponding divers of flick lovers sensibility assuredly disgusted. Controller Tom Six sure to return to the latter ring in his development “The Kindly Centipede 2 (Ended Arrangement).” The complaint follows a fetter who watches “The Public-spirited Centipede” and decides to recreate the self-appointed corroboration, to horrifying results. This illustrious takes the fatuous principle to such unfair levels that it essentially serves as a mid-point something rags on with it to anyone who criticized the oldest undisturbed twin on circumspect grounds. 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